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| English title-The Man From Nowhere |
“
The greatest story commandment-Make me care. Please, emotionally,
intellectually, aesthetically… make me care.”
- Andrew Stanton.
Dear Story-teller,
An additional request would be-Make me care
for long enough.
Reveal the meaning, without defining it. Leave some trails for me, do not
lead me. I would like to reach there at my pace. And when I do, I shall share
the accomplishment with you. For it is indeed yours as much as mine.
When I first meet your ‘man from nowhere’ all I get to see is his bruised
and thickened knuckles as he examines a pack of sausages. The injury marks look
old and I understand that the suffering is chronic,the past is dark.Thank you for trusting my abilities. He stops by to gaze at a
bunch of white flowers. His one eye concealed by a mop of hair, yet the other
eye effectively revealing their lost significance. He buys it nevertheless and you got my interest.
The first time I meet the little girl, she emerges from the bottom of a dark
staircase upon hearing him call out. A hesitant smile and a glint in the eye. I
soon realize that this is not the first time they have met. But it was not very
tough to derive their equation. She talked non-stop about her being teased at
school, to her dangling teeth woes as he seemed to ignore her,basically driving home the point
that they share a lot with and without words.
She pawns her MP3 player at his shop and he gruffly remarks that she has
a weird choice of music, but he anyways hears it in solitude later.That was a nice touch and so was this- though I must admit it took me some
viewings to get this-in spite of his nonchalance, he gingerly placed the pack
of sausages in her field of view, he
wanted her to see it!. She missed it at first, but when she did see
it a spontaneous ‘I really love sausages’ and a very expectant glance was thrown
at him. The next scene we see them having the meal together.
Dear storyteller,
that was awesome. For when I peeled this off, the first layer revealed
kindness-that in spite of his brooding and projected indifference, he shared a
meal with a girl obviously having a dearth of such luxuries. But then the
second layer revealed that he had actually bought this for her. And for some
complex hesitation he could not invite her for the meal and hence tricked her
for a self-invite. Having a good meal was her gain, having company for a meal was
his.
And over the meal we see him loosening up. She mentions her love for doing
nail art and displays her colorful nails,even offering to do them for him. She
also makes him aware of the suspicions the neighbours and her own drug-addict
mother carry for him given his disheaveled and lonely existence. He is slightly
taken aback at her-“Are you really a gangster?”. After pondering for a while,
he askes “Do you think I am a bad guy too?”for even if he had given up on the
world, her opinion mattered. He sought redemption through her eyes as she sought
an escape from the harsh realities of her existence.
But how did you manage to convey so much about their relationship in 15
minutes of screen time is what is intriguing? His compassion as he let her sleep the night at his place when her mother
was away, his stopping in his trail and trying hard to uphold the fences,as she
tugged at it with a casual mention of her nick-name to be ‘garbage’, to returning
in the cold of the night to ensure that she is warmly covered. And she in return of the favor
drew a smiley on his nails as he slept. And the sponataneous yet strained smile
that curled upon his lips when he saw it,conveyed so much more than words.
But of course we knew that things were not going to be smooth for them. We
knew that she would be taken and he would embark on a quest to rescue her and
in the process heal his own wounds. But you had a challenge. You had to convince
me that his motivations for doing so was more that just the fact that this is
an action movie. He left a trail of bodies wherever he went in search of her,
burnt out the entire cartel of the underworld racket for her, risked his life
for her and in the process gave us some outstanding action and fiery
confrontations. But your best action piece would have failed if I ever found
myself questioning his motivation. If I had to re-run their scenes together to
convince me of his love, of her worth, of what exactly was at risk, then you
would have failed. And I am guessing you knew this. That is why you had a gem
of a sequence planned before their separation.
He saw her getting abused by a lady( rightly) accusing her of stealing her son’s
bag in an alley. The police were trying to sort things out and he found his
feet to be stopping. Though from afar, he keenly watched the scene with a tinge of concern in his eyes. She saw him
watching and suddenly found the situation to be less hostile. She mustered
courage to counter the accusations and confidently pointed towards him when
asked to call her father to sort the matter out. They shared a brief eye-lock.
She gazed at him expectantly. And he walked away. The beauty of the scene was
that he was not surprised at her blatant lie, like he always knew his worth in
her life. But he had to run away.From her, from his own rekindled affection, from
the prospect of love and loss yet again. Yet the guilt and the shimmering tears
in his eyes when she confronted him, sealed their fates together. She had an
outburst but a one so innocent and heart wrenching that it looked impossible
that a storyteller could come up with that. Her lines:
“Mister?
I embarrass you too, right? That's why you ignored me? It's okay. My teacher
and all the kids do that too. Mom said that if I get lost, I should forget our
address and phone number. She gets drunk and says we should die. Even though
that pig called me a bum... what you did was meaner. But I don't hate you. Because if I do, I won't have anyone I like.
Thinking about it hurts me in here. So I won't hate you.”
He stood as if the core of his being
had been shaken. He wanted to apologize, he wanted to comfort, he wanted to
explain his reluctance, he wanted to pour out things much beyond her age. But
she was taken before he could do so. Before he could let her know that she
mattered to him more that her imagination. THIS is why the desperate quest for
her.
Of course, you had another ace up
your sleeve. A brilliantly designed flashback which apart from letting us know
more about his profession as a black-op agent, revealed the appalling cruelty he
has suffered at the hands of fate. He lost not just his wife before his eyes,
he lost an unborn life too. A life he had cherished. A life he confessed he had
been longing to hug. He lost a part of him without ever gaining it. And
you made a profound suggestion here. His love for the girl suddenly took a
whole new meaning. She was not just his friend, nor a casual intruder into his
lonely life. She had filled a vacuum. She had made at least one loss more
bearable. And THIS is why we never doubted that losing her would be devastating
for him. This is why we became a part of his brutal and violent seeking. For
this was not just a tale about revenge,this was about reconciliation. And about
something greater-love in its imperfect yet genuine form.
Your hero spoke less. But when he
did, one had to replay the scene to attain the depths. Halfway into your story,
he was shot. He knew the palpable danger in which the girl was in. He knew the
chances of meeting her again was bleak. He had a old friend sitting beside him,
eager to know the reason behind his taking up of arms again.
“There is someone I am looking for.
It has been only a few days, but I have begun to forget her face. Wish I had
taken her picture….” He said with a faraway gaze into nothingness.
This was for me the most poignant
moment. A tragedy so subtle. We are used to a display of love by a proclamation
of how unforgettable someone is. But here there was an already wrecked man
trying to clutch at the last strands of a memory of the loved one, while
admitting his failure to do so. And you had an actor who conveyed not just the
pain and the regret but the fear of losing her forever without having any remnant of her for solace.
He had seen a life cease right before him but possibility of someone just
vanishing into oblivion without a memory was enough to choke him and us.
Yes, that was my most understated
moment of tears.
And you had another masterstoke saved up for the last. The hero was made to
believe that he was defeated,that she was dead. In a display of tranquil fury he finished
up the last bit of her captors. An unimaginable grief on his face as he looked
at the massacre and the futility of his quest. There was no one left to fight
with, none to fight for. He loaded his gun and knelt down in desperation to
finally end this life which had anyways lost meaning long ago. Just in time, the girl came
out from the shadows and prevented him from giving in to the demons of his pain. So, you turned the tables,didn't you? Who was saving whom,finally?
Back to the scene,overwhelmed at the thought of him coming to rescue her,
she ran towards him. The relief on his face was evident and so was his
hesitation. He quickly removed the gun out of her sight, but the blood on his
hands prevented him from hugging her back. They just shed quiet tears, together.
The police approached to remind him of the inevitability of his end. He knelt
down to embrace her, to accept that he had found her only to lose her again.
His half scratched but still painted nails could be seen tightly hugging her.
He was collecting a memory. An essence of the one who made him vulnerable
yet again. Maybe that would be enough to last for a lifetime....
And lastly,you would have to admit that you had an exceptional actor to breathe life and
soul into your hero but do you know what you achieved as a story teller at the
end?
I wanted to know if he would ever see her again. Look..I cared.